Digital Cinema or What Happens to the Dispositif?

Publication date

2016

Authors

Kessler, F.E.ISNI 000000012121601X
Lenk, SabineISNI 0000000030120100

Editors

Advisors

Supervisors

Document Type

Part of book
Open Access logo

License

cc_by_nc_nd

Abstract

Created in 2005 by the Digital Cinema Initiatives—a group of Hollywood majors that formed a joint venture in 2002,—the Digital Cinema Package (DCP) is a wrapper containing images, sound, subtitles, and metadata. Six studios got together to agree on internationally valid norms (“DCI specifications”) to ensure that their movies would be screened in 2K/ 4K and compressed in JPEG 2000. The initiative also strove to protect movies against copyright infringement and to assert total control over the movies’ distribution via a decryption code, the key delivery message (KDM), without which the encrypted content could not be accessed. The KDM is a rental license that allows projection under specific conditions.

Keywords

General Arts and Humanities, General Social Sciences

Citation

Kessler, F & Lenk, S 2016, Digital Cinema or What Happens to the Dispositif? in Exposing the Film Apparatus : The Film Archive as a Research Laboratory. Taylor and Francis, pp. 301-312. https://doi.org/10.5117/9789462983168-28