Digital Cinema or What Happens to the Dispositif?
Publication date
2016
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Document Type
Part of book
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Abstract
Created in 2005 by the Digital Cinema Initiatives—a group of Hollywood majors that formed a joint venture in 2002,—the Digital Cinema Package (DCP) is a wrapper containing images, sound, subtitles, and metadata. Six studios got together to agree on internationally valid norms (“DCI specifications”) to ensure that their movies would be screened in 2K/ 4K and compressed in JPEG 2000. The initiative also strove to protect movies against copyright infringement and to assert total control over the movies’ distribution via a decryption code, the key delivery message (KDM), without which the encrypted content could not be accessed. The KDM is a rental license that allows projection under specific conditions.
Keywords
General Arts and Humanities, General Social Sciences
Citation
Kessler, F & Lenk, S 2016, Digital Cinema or What Happens to the Dispositif? in Exposing the Film Apparatus : The Film Archive as a Research Laboratory. Taylor and Francis, pp. 301-312. https://doi.org/10.5117/9789462983168-28