Entering a dance performance through multimodal annotation: annotating with scores

Publication date

2021-05-05

Authors

Kleida, DanaeORCID 0000-0001-6535-4115ISNI 0000000492828429

Editors

Advisors

Supervisors

Document Type

Article
Open Access logo

License

cc_by_nc_nd

Abstract

In this short report, I share my experience of getting to know the choreographic practice of choreographer Jonathan Burrows and composer Matteo Fargion using the Motion Bank digital annotation tool Piecemaker. My report narrates the process of coming from a place of not knowing their practice at all to a deeper understanding through listening to interviews and deciphering their scorebooks. I present some of the thought processes and steps I took using Piecemaker, and how this led me to explore different references (e.g. other composers, historical performance forms, etc.) they draw upon to create their choreographies. I then share the results of my study using the Motion Bank publishing tool MoSys.

Keywords

Multimodal annotation, choreographic practices, creative practices, dance documentation, digital annotation, performance, Communication, Visual Arts and Performing Arts

Citation

Kleida, D 2021, 'Entering a dance performance through multimodal annotation: annotating with scores', International Journal of Performance Arts and Digital Media, vol. 17, no. 1, pp. 19-30. https://doi.org/10.1080/14794713.2021.1880182