Shakespeare, England, Europe and Eurocentrism

Publication date

2020-10-01

Authors

Hoenselaars, TonISNI 000000010915651X

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Advisors

Supervisors

Document Type

Part of book
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License

taverne

Abstract

This chapter seeks to define Shakespeare in 'European' terms. First, he is presented as an English and a British author, as perceived within the culture of his native island environment. Shakespeare is also brought into focus as a bilateral and a multilateral author, emphatically between the various nations that make up Europe. At the same time, Shakespeare is outlined as a writer who also tends to provide a joint, transnational frame of culture within such a European context. Finally, Shakespeare has been and is perceived as 'European' for his merits and demerits by non-European outsiders. This perspective from the outside brings into play issues involving the potential Eurocentrism of the man, his work, and the Shakespeare industry at large.

Keywords

Appropriation, Brexit, Commemoration, Nationalism, Postcolonialism, William Shakespeare, World War I, World War II, Taverne, General Arts and Humanities, General Social Sciences

Citation

Hoenselaars, T 2020, Shakespeare, England, Europe and Eurocentrism. in Eurocentrism in European History and Memory. Taylor and Francis, pp. 141-156. https://doi.org/10.5117/9789463725521_CH08